Lizzie Muller

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A Working Model of the World

An exhibition co-curated with Holly Williams from The Curators’ Department that explores the practical, philosophical and symbolic work that models do for us, and the small worlds that models create.

Lively Objects at the Museum of Vancouver

Lively Objects, co-curated with Caroline Seck Langill, brought together artworks that vibrate with mechanical, digital, and magical forces.

Adam Norton, Adam Norton On Mars, 2010

Awfully Wonderful: Science Fiction in Contemporary Art

Time machines, hand made robots, meteorological instruments, interplanetary communication devices and a Mars gravity simulator.

The Art of Participatory Design

A programme of creative experiments that accompanied the Participatory Design Conference held in Sydney in November 2010, co-curated by Lizzie Muller and Lian Loke

Two people interacting in a workshop

Thinking Through the Body

An interdisciplinary research project exploring the use and potential of movement, touch and proprioception in body-focussed interactive art and design.

An artwork from Mirror States

Mirror States

A major exhibition of interactive installations, co-curated with Kathy Cleland. Mirror States investigated the “doubleness” of digital mirrors as mechanisms of both reflection and projection.

New Constellations: Art, Science and Society

An international conference charting the ways in which art and science are gravitating towards one another within contemporary culture.

Cardiomorphologies

Cardiomorphologies is an interactive artwork that responds to breath and heart by George Khut. It was an integral part of my PhD research into audience experience.